I thought it might be fun to show, step by step, my process of making a painting using acrylic paints. Much as I like watercolors, the cost of matting and framing, not to mention using the right kind of glass, is just too high priced for my current budget. A lot of my watercolors, consequently, are tucked away in portfolios for however long it takes for me to get prosperous enough to take proper care of them. On the other hand, like oil paintings, acrylic paintings can go in a frame with no mat or glass, or you can simply hang them on the wall, especially if the paining is done on canvas or linen attached to a stretcher frame with the staples out of sight on the back side. Like the one below. (Okay, that wall is not pink. Digital cameras are weird. Just sayin’.)
I went to a painting “class” to benefit one of my other favorite places in the world, the local university’s Biodiversity and Research Teaching Collections. Our instructor had all the ready-to-use canvases, paints, brushes, and sea turtle cut-outs if we wanted to use them. Everything else was up to us.
Since I was new to acrylics, but knew that it’s a very forgiving medium (if you don’t like something, just wait for it to dry and paint over it), I just started playing with shades of blue, green, and white — blending them on my paper-plate pallette, blending them on the canvas — trying to create a watery background. I ended up liking the results, the process, the fact that the class was held in a wine bar…
After I got back to my own “studio,” I decided not to worry about subject matter for my paintings, but just play with colors and practice brush strokes, etc. I already posted some of the paintings I did during this phase, and here I want to show the step by step process of making a painting. Although I forgot to take a picture of the very first step — the base coat, followed by adding sky and ground, I can say that I used cerulean blue and white for the sky with loopy brushstrokes and a flat brush, to make some swirly “wind” effects.
The “ground” color started out as yellow ochre mixed with parchment (unbleached titanium is about the same off-white color), to which I added all these trees showing off their fall colors.
Check out that paintbrush. It’s called “chisel” because the edge is chopped into that comb shape. You’ll see the neat effects it creates. The colors are cadmium yellow, ultramarine blue, sap green, and burnt sienna. I also used cad red when I was painting the background trees. These colors are for the next phase.
See what that paintbrush does?